11.10.26
10.10.26
7.10.26
Reflection of a reflection of a prophecy, All rights reserved MSwaid, 1980.
What About Mars?
No more problems says the package
the cure came in, no more
warning labels and the price tag
no longer legible. It began
with flashy children and fast cars
then people started talking
about the leftover stuff
after the move out,
wondered what would happen
to the crystal ball and Japanese flag.
Where to put Mars now?
Whose house next?
We bought alot of fruit and veg that night. I only vaguely remember, much like the dream this picture appears to be.
The Goat Life is an astonishly beautiful movie and sadly, accurate during those times. The men in this photo could be characters in that must see, should see, why haven't you seen movie. I cannot speak for the situation now. I highly, highly recommend it.
All Rights Reserved MSwaid. Shot with Nikon FM SLR with 35mm lens, ultra bad supermarket quality slide film, probably Fuji.
6.10.26
1.10.26
30.9.26
28.9.26
27.9.26
26.9.26
25.9.26
I was always a photographer first, poet second. Nowdays, anyone can produce a passable image with the flick of an index finger on a little bubble on a screen. However. It's even more temporary, more disposable than it (photography) has ever been.
Good thing is, for me anyway, hardly anyone can write a poem anymore worth reading.
Large Language Models, oh pshaw! Little magnetic poetry boxes from Barnes and Noble.
We all die anyway.
22.9.26
8.9.26
7.9.26
True Love America
Begins near 20 and 24th
streets in Monro-via,
in front of the JFK
Memorial hospital-
People go there to die and work,
limping in and out
on one leg, maybe two
but most never go and the girl
at the bus stop sells used towels,
your uncle Ned's pajamas
to a Godwin or Cornelius.
These clean people have hearts
inside their hearts
bigger than the Mets versus the Yankees
times the Sox.
Their love is ne plus ultra.
5.9.26
28.8.26
30.7.26
24.5.26
Streetlights At Six
In the long haul of getting
What about the flags, the stories
to tell, receipts and neighbors
who bicker over parking space.
I am the homeless I'll say. A good excuse.
All of that Atlantic below us,
Leaving is always the same,
goodbye to fog and the shape of bread
there, impractical kitchens.
Hello to the typical bravery
of fire departments, right on red remember?
Sliding doors and old formica.
Year after year labelled first to thirty first
in Gregorian. Everyone is bringing 1980
to the pot luck. Streetlights at six.
Xeroscaping. Lawnmowing. Post offices.
Little Debbie cakes, better homes and gardens
up the yingyang. A certain kind of heaven
but no where like home, clicking my heels
and they don't know where to go:
Witch of the East, Witch of the North,
one shiney the other vindictive.
It was always about them. Then someplace else.



















